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Exploring Kazuo Ishiguro's An Artist of the Floating World Introduction Kazuo Ishiguro’s An Artist of the Floating World is a deeply introspective novel that explores themes of memory, regret, nationalism, and the role of art in society. The novel follows Masuji Ono, an aging artist who reflects on his past as a political propagandist during Japan’s imperialist years. Through Ishiguro’s use of an unreliable narrator, the novel presents a layered exploration of history, personal responsibility, and cultural transformation, to get information about this Activity click here   About the Author Kazuo Ishiguro , born in Nagasaki, Japan, in 1954, moved to Britain at a young age and became a British citizen. His works frequently explore themes of nostalgia, regret, and memory, often using subtle, melancholic storytelling. In 2017, he was awarded the Nobel Prize in Literature for his ability to uncover the "abyss beneath our illusory sense of connection with the world." Education...

The Essence of Transcendentalism: Insights from Thoreau and Fuller To Get Information about task click here   Transcendentalism , a 19th-century philosophical and literary movement, emphasized the power of the individual and the connection between humanity and nature. Henry David Thoreau , a leading Transcendentalist, illustrated these principles vividly in his works. Self-Reliance: Thoreau’s Walden is a testament to the idea of self-sufficiency. He believed that individuals should rely on their own instincts and abilities rather than depend on societal structures. His retreat to Walden Pond was a deliberate act of self-reliance, demonstrating that one could live simply and meaningfully without excessive material possessions. Free Thinking/Individualism: Thoreau rejected societal norms and advocated for independent thought. In Resistance to Civil Government (commonly known as Civil Disobedience ), he challenges citizens to question authority and refuse compliance with unjust la...

  The God of Power in Orwell's 1984 Introduction In George Orwell’s 1984 , the concept of God is replaced by an omnipresent and omnipotent force: power. The Party successfully eliminates traditional religious beliefs and replaces them with an ideology where authority is absolute. Orwell presents a world where having power is equivalent to having God, and Big Brother becomes a god-like figure who is accepted without question. to get task information visit teachers blog   The Party’s Control: Power as the New God In a theological sense, God is often seen as the ultimate authority, a divine force governing the universe. However, in Orwell’s dystopian world, the Party assumes this role, demonstrating that political ideology has successfully replaced theological belief. The phrase “God is power” is a fundamental principle of the Party, highlighting that control over people’s lives is the ultimate source of authority. Big Brother, the Party’s symbol, is not just an individual but a...